You know the type: those whose social barometers don’t work and who should be asked to, well, leave.įans are calling the heavily-memed show “ absolutely hilarious” and even made some “ cry actual tears” and pull a neck muscle from laughter. Most episodes feature at least one weirdo (usually Robinson) who makes everyone in the scene uncomfortable and leaves those in the audience with second-hand embarrassment. (Kanin directs, Robinson acts.) Each episode’s under-17-minute run stitches together a few sketches - some of which involve choking on a hotdog, a nervous breakdown in a mall food court, and Santa Claus’ career pivot from gift-bearing delivery man to action star. With long-time colleague and co-writer Zach Kanin, Tim Robinson created the absurd show after their Saturday Night Live and Detroiters projects together. The second season of the hilarious Netflix sketch comedy I Think You Should Leave With Tim Robinson aired Tuesday, July 6, and was met with critical acclaim. But the funniest show in the universe has returned, and it’s as great as ever.What happens when you get sketch show veterans together in a comedy series way more raucous and absurd than they’re used to? A 100% rating on Rotten Tomatoes, apparently. There is a sketch in the new series that opens in the usual way (party where people have gathered to look at a new baby) and ends in an incredibly strange fashion (Tim Robinson pouring a glass of water over a steak) that had me in honest-to-goodness tears. There are recurring themes: the slithering and powerful jealousy it is possible to feel when someone else at the party makes a better joke than you craving fame, or at least attention carjacking entire social interactions because of one small slight small-city American travelling stage entertainment.Ī lot of I Think You Should Leave sketches feel as if you are only one or two broken emotions away from causing the same strange scene in public the best are the ones where, in the opening minutes, it’s hard to know who in the ensemble cast is going to be playing the weirdo. What is fascinating about I Think You Should Leave is the elegant balance it strikes between the weird, late-night, stoner-friendly Adult Swim-style comedy that preceded it and the goofy, post-Vine vibe of modern online skits, all done with a Netflix glossiness and a perfect high-wire sense of balance. The whoopee cushion sketch ends with him, head in his hands, requesting permission to go home early so his face isn’t “beet red” for his family photo later, and … I’ve lost it again. What I love about the sketch is you never quite know the character’s motivation at any one moment: is he trying to cancel out the joke by overcompensating with his own reaction? Is he genuinely hurt and upset? Is it all a clumsily played ruse to get out of work early? With Robinson, you never really know: he plays upstanding straight man just as well as he plays party guest calmly eating a gift receipt. Anyway, the sketch in question is the one where Robinson sits on a whoopee cushion in a boardroom and, slowly, over the course of several intense minutes, becomes more and more upset by the joke he doesn’t get.
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